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"a star on the rise ... so ferocious a talent ... just the conductor we have been waiting for to make a really persuasive case for Latin composers"
Los Angeles Times
....Representation....
Artist Manager
Paris - France
Veronique Jourdain
TEL: +33 1 43 29 46 47
FAX: +33 1 53 01 29 11
CELL: +33 6 16 96 60 45
veroniquejourdain@free.fr
Press Representative
USA
Josephine Hemsing,
Hemsing Associates
TEL: 212-722-1132
FAX: 212-628-4255
jhemsing@hemsingpr.com
Personal Representative
USA
Michael Fine
TEL: 570-698-8437
FAX: 570-698-8437
finem@yahoo.com
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Articles
Symphony
March/April, 1994
Winning an 'A' for Conduct
On one day's notice, and with no chance to rehearse
the orchestra, Gisèle Ben-Dor stepped to the podium
of the New York Philharmonic on December 7 to replace
the flu-smitten Kurt Masur. Music director of the Pro
Arte Chamber Orchestra of Boston and the Annapolis Symphony,
Ben-Dor made her unscheduled Philharmonic debut with
Brahms's Tragic Overture and Violin Concert (conducted
without score or baton) and close with Mendelssohn's
Scottish Symphony. Unlike the famous substitution
of Leonard Bernstein for Bruno Walter on November 14,
1943 - now the stuff of legend - Ben-Dor's performance
was unheralded by the New York press, which was not
there to review a program that had been played three
times before. The concert was, however, greeted with
a standing ovation from the capacity crowd at Avery
Fisher Hall.
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