Gisèle Ben-Dor,

conductor

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"a star on the rise ... so ferocious a talent ... just the conductor we have been waiting for to make a really persuasive case for Latin composers"

— Los Angeles Times

 


....Representation....


Artist Manager

Paris - France
Veronique Jourdain

TEL: +33 1 43 29 46 47
FAX: +33 1 53 01 29 11
CELL: +33 6 16 96 60 45
veroniquejourdain@free.fr


Press Representative
USA
Josephine Hemsing,
Hemsing Associates

TEL: 212-722-1132
FAX: 212-628-4255
jhemsing@hemsingpr.com


Personal Representative
USA
Michael Fine

TEL: 570-698-8437
FAX: 570-698-8437
finem@yahoo.com

 

 
 

 

 

Articles

 

Symphony
March/April, 1994

Winning an 'A' for Conduct

 

On one day's notice, and with no chance to rehearse the orchestra, Gisèle Ben-Dor stepped to the podium of the New York Philharmonic on December 7 to replace the flu-smitten Kurt Masur. Music director of the Pro Arte Chamber Orchestra of Boston and the Annapolis Symphony, Ben-Dor made her unscheduled Philharmonic debut with Brahms's Tragic Overture and Violin Concert (conducted without score or baton) and close with Mendelssohn's Scottish Symphony. Unlike the famous substitution of Leonard Bernstein for Bruno Walter on November 14, 1943 - now the stuff of legend - Ben-Dor's performance was unheralded by the New York press, which was not there to review a program that had been played three times before. The concert was, however, greeted with a standing ovation from the capacity crowd at Avery Fisher Hall.

 


 

 

 

 

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