|
"Conductor Steps in Unrehearsed [New York Philharmonic] ... If Ms. Ben-Dor had merely survived in a work as complex as the Mahler ... she would have done well; she did more, making the interpretation ... her own"
— New York Times
....Representation....
Artist Manager
Paris - France
Veronique Jourdain
TEL: +33 1 43 29 46 47
FAX: +33 1 53 01 29 11
CELL: +33 6 16 96 60 45
veroniquejourdain@free.fr
Press Representative
USA
Josephine Hemsing,
Hemsing Associates
TEL: 212-722-1132
FAX: 212-628-4255
jhemsing@hemsingpr.com
Personal Representative
USA
Michael Fine
TEL: 570-698-8437
FAX: 570-698-8437
finem@yahoo.com
|
|
| |
|
Reviews
The Berkshire Eagle
June 1, 1998
Larks ascending in Ozawa Hall
Andrew L. Pincus
... Conductor Gisèle Ben-Dor proved that all an old
war-horse needs to bring it back to life is a little
imagination and a lot of heart.
... the Pro Arte under Ben-Dor is a clear champion.
... Ben-Dor has spoken in interviews of the obstacles
she encountered — and not just because she is a woman
— in becoming a conductor. Perhaps it was the need to
overcome a kicking around by adversity, along with an
excitable temperament, that made her the conductor she
is.
... But she knows what she wants, and she gets results.
Among other things, she has the gift - perhaps it is
something she learned from Leonard Bernstein during
her 1985 Tanglewood summer - of getting an orchestra
revved up, not beating time for a few measures, and
sending the music spinning off into orbit on its own.
See what the critics in the US are saying: See what
the critics in the US are saying:
International Reviews:
|
|
|
|
|
