|
"Conductor Steps in Unrehearsed [New York Philharmonic] ... If Ms. Ben-Dor had merely survived in a work as complex as the Mahler ... she would have done well; she did more, making the interpretation ... her own"
New York Times
....Representation....
Artist Manager
Paris - France
Veronique Jourdain
TEL: +33 1 43 29 46 47
FAX: +33 1 53 01 29 11
CELL: +33 6 16 96 60 45
veroniquejourdain@free.fr
Press Representative
USA
Josephine Hemsing,
Hemsing Associates
TEL: 212-722-1132
FAX: 212-628-4255
jhemsing@hemsingpr.com
Personal Representative
USA
Michael Fine
TEL: 570-698-8437
FAX: 570-698-8437
finem@yahoo.com
|
|
| |
|
Reviews
The Boston Herald
Ellen Pfeifer
Conductor shows her mettle with Pro Arte
Music director Gisèle Ben-Dor returned to the podium
of the Pro Arte Chamber Orchestra for the first time
this season on Sunday afternoon and reminded audiences
once again that we see far too little of her. Her other
orchestras in Annapolis and Santa Barbara, as well as
a busy guest conducting schedule keep her from Boston,
where her considerable accomplishments are always welcome.
Her program Sunday was highlighted by a performance
of the Haydn Symphony No. 104 ("London"), surely one
of the most familiar of pieces but performed with such
verve, sparkle and spontaneity that it seemed almost
newly made. Ben-Dor is not a conductor who looks at
music with a skewed or eccentric sensibility, but she
comes at a work with an innate sense of its rhythmic
life, its internal logic, and its musical drama. The
jokes and surprises all come off with perfect timing.
A change of harmonies - like the switch from major to
minor in the slow movement - immediately colors the
atmosphere. The result is a naturalness, an inevitability
and a freshness to the performance such as one heard
here. The orchestra sounded at its best in this performance,
the strings playing with a greater unanimity of intonation
than they had all afternoon and the winds, Pro Arte's
greatest asset, bringing home the laurels.
See what the critics in the US are saying:
International Reviews:
|
|
|
|
|