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"Conductor Steps in Unrehearsed [New York Philharmonic] ... If Ms. Ben-Dor had merely survived in a work as complex as the Mahler ... she would have done well; she did more, making the interpretation ... her own"
New York Times
....Representation....
Artist Manager
Paris - France
Veronique Jourdain
TEL: +33 1 43 29 46 47
FAX: +33 1 53 01 29 11
CELL: +33 6 16 96 60 45
veroniquejourdain@free.fr
Press Representative
USA
Josephine Hemsing,
Hemsing Associates
TEL: 212-722-1132
FAX: 212-628-4255
jhemsing@hemsingpr.com
Personal Representative
USA
Michael Fine
TEL: 570-698-8437
FAX: 570-698-8437
finem@yahoo.com
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Reviews
The San Francisco Examiner & Chronicle
Neglected Revueltas Gets His Due
Silvestre Revueltas has been called the Mexican Falla
but in truth he is very much his own man. True, like
Falla in Spain, he absorbed the rhythms of his Hispanic
heritage and created sounds that carry logic and dance
to their own intricate beat. "La Coronela"
was his last work, a ballet that premiered at Mexico
City's Palacio de Bellas Artes in 1940 soon after the
composer's death.
This first-ever recording of that score is a winner.
The dance episodes, based on a series of drawings of
skeleton figures by Jose Guadalupe Posada, create a
parade of musical postcards from a society about to
unravel: waltzes lead to intricate meters set against
each other, outrageous harmonies emerge between steps,
a military trumpet eerily calls all to order and a sweet
little dance tune returns as if unharmed.
The recording includes other pieces by Revueltas, each
worth a listen. And perhaps the biggest revelation here
is Gisèle Ben-Dor, a conductor whose passion and intensely
personal involvement with this music go a long way to
convince listeners not only of the delicious talents
of the Santa Barbara Symphony, but also of the immense
pleasures of the unjustly neglected Revueltas.
See what the critics in the US are saying:
International Reviews:
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